bronze sculpture, bronze statue

Conceptual bronze sculpture based on historical themes for the anti-fascist war theme as the background and creative themes to express the author the thinking and views of this piece of history, people reflect on the join at the same time thinking of the creator of the personal and emotional expression out of rational thinking and the mind alone. curse chips Ru Ming Mu Liaoning ‘Zhangbing Tian,: Fig.4.8 The memory ofNanjin The home Zhang Bingtian creation of "Nanjing memory (Figure 4.8) reflects the author created conceptual background of the works of creation theme selected from the Nanjing Massacre of creation, calyx Teng-wall Cantonese oo! three energy Liaoning! bronze sculpture tired round covered basket drum used by peddlers Lu Hao violent Shop garlic clamor, Qing Ping fan first of this historical formation of a certain ideological understanding of the feelings of the creative theme, manifested by the form of language. The decorations on the bronze sculpture are phoenix bird, owl and the like, luan wen and wild goose arranged in groups, etc.

In this piece, the authors want to show the evil nature of Japanese militarism and the crimes committed on a peace-loving people of Nanjing. work did not go to a true and detailed picture of the facial features of the officers of Japan and France, instead of using a conceptual approach. seize the characteristics of the image of the Japs, with the rugged performance practices, the Japanese officer’s ugly body characterized the works of other conceptual expression is the head removed, in the traditional method of bronze sculpture creation is impossible to achieve effect. to turn around to give visitors the feeling of these fascists is no ideology and human nature. In the ancient documents, it is said that people of Hand Dyansty used cicada as the ornaments of the bronze.  achieve these feelings is the concept of sex.

See "World Art" foreign art history catalog: Conceptual Art in March Chongqing University Master’s degree thesis of the anti-fascist war theme shelves bronze statue language analysis of the expression of results. tour of the 045 works, from Tianjin Jing Yumin creation peers Age (Figure 4.9) also reflects the concept of modern bronze sculpture created works with the comparison of the two people the same age grow at different times, showing the author’s understanding of war and peace. The cicada patterns on the bronze are mostly triangular-shaped drooping leaves and the bottom has nodular stripes.  By the arrangement of the two characters the same form of space, while only change the hands of Figure 4.9 China, Tianjin, Jing Yumin: age years Fi94, the ages cohorts. props and costumes for visitors between the two contrast each other and this process has been the inspiration of war and peace chinese bronze works in the hands of props and clothing with a clear tendency.

Gun is a weapon for the war years; camera represents art and beautiful is the symbol of a peaceful era. works by this comparison, the moral of today’s young Source: Chinese Artists Association for the hard-won happiness of peace, prosperity and bronze sculpture tour is issued Portfolio, the peers of the previous generation of youth and life in exchange for the people cherish today’s peaceful environment. author I recently completed anti-fascist war theme rack bronze dragon"1945 Spring" (Figure 4.10) also used the concept of the technique of expression to the conception and creation of the work the use of realistic and exaggerated deformation of a combination of techniques, showed the author I surrender of Japan and France in 1945. The bronze sculpture of that time is always surrounded with Yunlei wen (cloud and thunder).

2005 August 60 anniversary of the victory of world anti-fascist and China. During this period, a number of influential works were created, such as the completion of the Germany Berlin Holocaust Memorial, World War II Monument and Moscow’s “Goddess of Victory Monument”, at home and abroad by some authorities as the print media are different angles are introduced and analyzed. Become this article to understand the source of important documents such stories in creative dynamic. In 1977, a number of elegant bronze were found in the Zhongshan Mausoleum. The fourth category of reference documents for the work of the government briefings and internal data of a number of academic groups. This article on the use of the Chongqing Municipal Construction Committee briefing on the work to understand some of the policies of the cultural forms of construction of Chongqing’s City of Heroes. As a basis to expand this research to the theory according to relevance.
 This article also uses the internal data of a Bronze Sculpture Committee of the Chinese Artists Association, works of bronze sculpture tour of “peace, prosperity and descriptive literature to expand on the shelves Bronze Sculpture language study. Among them, the inscriptions on the bronzeare as long as 469 words which are the longest. copper bronze Chongqing University Journal bronze sculpture of two anti-fascist war theme Monument artistic language of the anti-fascist war theme bronze eagle monument artistic language 2.1 anti- fascist war a monument of bronze sculpture theme development and an overview of the monument is to allow people to remember the events that have occurred or there have been people who built a landscape structures. This event can be an incident occurred, it can be an important moment in an important historical period. The primary features of the monument is a memorial.
 Commemoration of nostalgia, mourning what happened in the history of major historical events or heroes. In addition, the monument to create reflect the rulers to promote good and evil, ugly tools. Showed the rulers of their own spiritual and cultural forms of construction, the monument belongs to the materialization of the spiritual and cultural dimensions of the image. In addition, the distinctive design of the monument can also make it a good place for people’s leisure and tourism, both to publicize the ruling ideology also can explore the historical and cultural resources. For the study of the history of the Kingdom of Zhongshan, the value and worth of the bronze statue is self-evident. Now many of the monument has become a local landmark, has a positive significance for the construction of the cultural image. Bronze sculpture of artistic language to create the monument, these features can make a better play. Visualize the artistic language to express certain cultural connotations bronze Sculpture expertise.
 Bronze sculpture with a flexible body language, image and more specific connotation expressed, to make it easier to feel the idea conveyed by the monument. In the shape of chinese bronze, physical change of life and ideas, and the silent body language to express. In addition, the bronze sculpture is the scope of artistic design, can use their own actual situation, rhythm, materials, texture, texture, bronze eagle use of language for the physical space, managed to create a monument to a more artistic and ornamental. The Kingdom of Zhongshan was recorded very little in the bronze dragon. Bronze Sculpture in the performance of the monument these advantages, the world anti-fascist war bronze carving theme Monument mostly bronze sculpture in the form of language to create. After the end of the anti-fascist war, the countries in the world to participate in this anti-fascist war created a large number of anti-fascist war theme bronze sculpture monument, to commemorate and remember the sacrifice of heroes in the war, to show the power of justice and a powerful and advocated the concept of peace.

 Clothing part of the “sparse and cursory” save ink means a large area of blank, the pursuit of so-called ancient “blank at all cattle wonderland, keep plastic marks, to simplify the tedious details of the structure, leaving only the” potential “, the pen less than intended. Constitute E, in the geometric space, pavilion hi every character (left) is similar to Zuniga “the hands Tuosai women” (Figure 27), both head and shoulders showed a triangle by the clothing to take the potential to under the extension. When exactly the bronze came into being has no accurate proof. Grasp the overall sense of space, the hands Tuosai women not only seamless, but also to maximize convey the inner depression and helplessness of the object, and can withstand scrutiny. So. “Choice” issue, I have yet to be explored further.
Sea Imperial College degree in head ± Tuo Li ring 29 Zuniga, “sitting on the bench Scholars in bronze sculpture. 19 23 Figure 30 left the ice zinc snapped 969 MU, 68 5 3 x1 6 cm of the resin, 006 Fu x 2 “(Figure 30) is the creation lasted longer even works with the child into the child into inspiration from the “Book of Songs? the Bei wind? love drumming” conventions: “live or die in width, and the child into that executive thousand hands of, and r have cried,”. Large amounts of data shows that the invention of crafts of bronze statue originated 6600 years ago. Is about to set off on the soldiers of the South’s commitment to his wife in: “Cow tightly joys and sorrows, I told you said I will take your hand and you grow old”. This is a Park cable convention, a courageous commitment period of antique love. The geometry configuration of the highlights of the work as a whole the most visual impact.
 Interpretation of the mood of the suspect suitable spatial structure. By two good straight direction relative to the bite diamond to achieve the emotional and rational harmony, reflect the trace of interlocking visual effects in the geometry. The chinese bronze of China was inherited and developed by the Longshan period.  Stability and calm, balanced layout to emphasize the sense of permanence of each other, and witness the love, time and space. Pay attention to reveal the inner spirit of the work to convey the images and looked and Charm. Relatively “Happy Encounter” (Figure 28), and one thousand into shape is more rigorous, more in-depth exploration of the theoretical model and thus manifested in the form of the field, Ding I right in Wai imagery spirit understanding and physico-chemical processes. Different cultural perspectives derivatives cattle, small different ways of thinking and aesthetic pier.
Draw geometric elements, and Nijia ancient Indian Arts. Again the field of modern art in the West some kind of mental techniques into their own works, such as “fighting a woman in the stool (Fig. 29), works of oval-shaped structure Tong, a strong visual tension. In ruins of Yangshao and Longshan culture, impure brass and bronze dragon have been found.  The bronze sculpture in the round also with the implication of a little relief. I geometric elements drawn from Zuniga works, creation Hui read rooted in the tradition of the nation, combined with traditional ink painting of workers with written techniques, given the need to convey the spirit works: dark University of bowl 10 dissertation contemporary ideology exaggerated deformation, looking for a unique way to provide insights for the national space constructed.

The status quo protection points are usually retain their original practical function, they can even restore gone the traditional culture, and open to visitors, to showcase the different facets of the culture of the community. The bronze at that time more are in the possession of various inscriptions. Ecological Bronze Museum of practice for the protection and continuation of those in the mainstream culture, surrounded by the minority culture, and promote the diversity of world culture has a special significance.
At the same time, ecological Bronze Museum does not exclude the existence of traditional bronze sculpture Museum, can not replace the traditional bronze museum status. On the contrary, it can complement each other with the traditional Bronze Museum is much more rich complement to the traditional Bronze Museum a wider range to achieve their task in a culture of sharing with the traditional bronze Museum, both jointly undertake cultural preservation with the heritage of the historic task. Since then, in addition to bronze mirror, this kind of bronze is most popular.
Third, the ecological Bronze Museum Heritage to protect the working methods. Ecological bronze statue Museum approach emphasizes fully mobilize the enthusiasm of the residents of the cultural heritage, to mobilize the residents themselves to organize themselves consciously to maintain and pass on their culture and traditions of the protection of cultural heritage. It can be said that the Chinese bronze had not made any development any more. The cultural relics management department of the People’s Government at all levels must closely rely on the local villagers, organizations, and to convince the mobilization of local residents and make them aware of the persistent carrier of the residents of villages or urban historic district and community and cultural heritage both residents of their own culture, but also to improve the quality of community life effective resources.
Staff of the cultural relics management department of the People’s Government at all levels should organize ethnology, architecture, chinese bronze, museology and heritage conservation technical experts to develop practical heritage protection and development planning, by these experts guide the residents of the local heritage sites, to convince planning and development and protect the community, strengthen community and cultural characteristics, and enhance the community as a whole the level of competition, the right to use their unique tangible and intangible cultural resources, responsible tourism and cultural industry innovation. Hence, the study of the development of ancient bronze dragon of China generally ended in the Sui and Tang dynasties. The support of the Cultural Relics Protection Law and cultural heritage protection laws and regulations, under the precondition for sustainable development, heritage protection and development plan developed by the experts.
The development of conscious action and improve residents’ quality of life of residents, to protect and heritage of the purpose of cultural heritage. Ancient  bronze sculpture not only possesses high value of art appreciation. However, for the public heritage sites valuable cultural relics and ancient buildings, the people’s governments at all levels should be included in the provisions of the effective implementation of the Cultural Relics Protection Law “, earnestly carry out the maintenance and protection. Management departments of all levels of culture (Heritage) in collaboration with other departments to conduct electricity, telecommunications, cable television lines, the upper and lower water lines, sewage and waste disposal, toilet and appearance of residents’ houses maintenance design, and guide the construction of the residents in the planning and maintenance program .

Chinese art is deliberate pursuit of external beauty of form, but with particular emphasis on the “meaning” behind the form, this image mode of thinking has a lot of specific performance and empirical, it is “image” as the media direct rational grasp the specific – “means”. Epistemologically unique respect for intuitive thinking of the Chinese art of Inner Mongolia Normal people learn Ode I. Degree the righteous, and strive to consistently poetic romantic figure, rather than science, non-real form, and thus the formation of artistic expression in lyrical impressionistic image modeling. Generally, the progress of bronze is divided into three stages.  Simple freehand shape on the depth of performance and creativity, to make it more poetic and expressive.
The use of the Romantic lyric freehand expand a broader and more liberal imagination. Thus, the Chinese Ancient Bronze Sculpture by the Chinese people’s lifestyle, thought patterns, emotional confession of the differences in aesthetic taste preferences, with strong romantic flavor. Chinese ancient bronze sculpture art can be traced back five thousand years ago Neolithic the gI: lh culture in the ancient bronze sculpture romanticism infancy. Unearthed in Liaoning Province Niuheliang painted sculpture of the goddess Avatar, demonstrated a superb level of bronze sculpture in world terms is quite outstanding. Formative period, golden age and transition period are there stages of the bronze. Moreover, the head of land clean-up found one of the original ancestors of the festival “Goddess Temple”, unearthed dozens of clay debris. Note that period of Chinese bronze sculpture art has entered a period of considerable development.
 Little later Liaoning Kazuo County Dongshanzui unearthed several times on the statue of nude pregnant women can also be unearthed with German Velen Dorf Venus comparable, but also my bronze sculpture art has a long history . Formation stage of the bronze refers to the Longshan era, dating back to 4500 BC~4000 BC. bronze statue of romanticism along with the development of China’s ancient bronze sculpture, prosperity, and gradual and nuanced up. Bronze Age, the metal casting technology developed, Shang and Zhou bronze tools and ritual utensils varieties range dignified peculiar shape, ornamentation skill is high, with the beauty of hunting calendar.
Unearthed in Sanxingdui, Sichuan chinese bronze masks and bronze stand portrait, with the daring art of exaggeration, is the product of the ancient Shu culture system. China’s bronze culture with the same period of ancient Egypt, ancient Greece, compared to copper statue in the art of modeling and casting process are superior to them. During this period, China’s romanticism began to affect the bronze sculptures. The golden period of the bronze is the official Chinese Bronze Age, lasting through the Xia, Shang and Western Zhou Dynasty. Qin and Han Dynasty, China’s ancient bronze sculpture to the development of the first peak soon. Qin Qing bronze to terracotta warriors and horses, represented by a magnificent, with the overwhelming momentum.
Han Dynasty bronze sculpture the Huo tomb stone carvings, and Han figurines and portraits carved stone, deep and strong and full of charm, the charm of the empire. The Han Dynasty is the most intense period of romanticism development. Transition period of the bronze dragon refers to the time between the late Warring States and Qin and Han dynasties.  Wei, China’s Buddhism was very popular in a number of dynasties and even revered as a state religion. Therefore, a large number of Buddhist sculptures, Dunhuang Grottoes, Maijishan Grottoes, Yungang Grottoes, the Longmen Grottoes have been cut off a second wave of ancient bronze sculpture development, the representative works of this period to the Yungang Grottoes, Maijishan grotto-based modeling is characterized by bone show clear like, Wanya Jun Yi stressed that the Buddha nature, with the style of the foreign bronze sculpture America.

 Continue to increase the weight of plastic parts, very few multi-cavity bronze mold. 7-9 of precision plastic parts, up to cavity number increased to 50% compared to pointed out that the 4-5 level of precision plastic. Determine the parting surface. The parting line location should be conducive to the bronze mold, exhaust, stripping and molding operation, plastic parts surface quality. To determine the gating system (sprue sub-runner and gate shape, position, size) and the exhaust system (exhaust, exhaust ducts, location, size). Four ejectors (ejector, pipe jacking, push plate, modular ejection), decided to undercut approach, core pulling way. Fang Yi appeared later than the other wine bronze. Determine the installation position of the cooling, heating, and heating and cooling groove shape, location, heating elements.
Bronze mold material, the strength calculation or empirical data to determine the thickness of the bronze sculpture mold parts and dimensions, shape structure, and all connections, positioning, oriented parts location. To determine the main molding parts, structural parts of the structure. Considering the intensity of the various parts of the bronze mold, calculate the size of the molded part. These issues resolved, the structure of the bronze molds naturally solved. The majority of the bronze in ancient China were confined to the nobilities.  At this time, you should proceed to draw bronze mold structure sketch to prepare for the formal drawings. Draw bronze die map drawn in accordance with the national mapping standards, but also requires the combination of factory standard and the state does not provide factory custom painting.
         Before painted bronze statue mold assembly diagram, draw a process map, and must comply with the requirements of parts diagrams and process information. Process to ensure the size, should be marked in the diagram to write words indicate the process size. In addition to repair glitches after forming, do not carry other machining process diagram is identical to the parts diagram. In the process diagram below is best to mark the parts number, name, material, material shrinkage, and drawing scale. The normal people could not afford the bronze. Usually put the process drawing on a bronze mold assembly diagram. Maximize the use of the ratio of 1:1 in a drawing assembly structure mapping assembly diagram and start drawing the first cavity, the main view and other views at the same time draw.
Five chinese bronze mold assembly diagram should include the following: A bronze mold forming part of the structure pouring system, exhaust system structure. Parting surface and parting pickup way. Outline the structure and connections, location and orientation of the location. Marked cavity height dimensions (not force, as needed) and bronze molds overall size. Aids (pickup dump modeling tools, calibration tools, etc.). There is no exactly two same bronze in the world.  In order all the parts serial number compile and fill in the schedule. Marked the technical requirements and instructions for use. Six bronze mold assembly diagram of the technical requirements: A bronze dragon mold system performance requirements. For example, the ejector system, the slider pumping assembly requirements of the core structure.
Bronze mold assembly process. Bronze fitting surface of the mold assembly after the parting fit clearance should be 0.05mm. Bronze mold, the following parallel degree requirements, and pointed out that the decision by the assembly size and the size requirements. Bronze molds, assembly and disassembly methods. Ge, a cooking bronze, first appeared in the Shang Dynasty. Oxidation treatment, the number of bronze molds, lettering, marking, oil seals, custody requirements. The tryout and inspection requirements. Seven should be the order of drawing the map of all the parts diagram by the bronze sculpture mold assembly diagram demolition of painted parts: after the first period, the complex after the first molded part, the post-structural components.

A “pinch”. That of blank samples, the creative design process. Before some carved pieces of playing blank sketch some of the first kneading the mud or bronze cream model. “Lou”. The first dig up the useless internal bronze material is based on line drawings. the “tick”. Also known as “Abstract” external graphics Tiqu excess bronze material. “eagle”. Is the last to be carefully cut cut, carved pieces of molding. These are the general introductions to the bronze of Shang Dynasty. In recent years, China has successively developed many new multi-functional processing machinery bronze sculpture, to promote the development of China’s bronze sculpture industry, to change the traditional manual operations, improve product quality and grade, played a very important role in expanding exports. There is no unified bronze sculpture national standards, it is recommended that a complete and unified system of quality standards and make new contributions in order to regulate and promote the development of carving industry.
Bronze sculpture category (bronze material). Thus, this era may be the transition period of the bronze of Shang Dynasty. A variety of patterns and image of the art, sculpture in bronze block usually refers to a sculpture carved into the bronze block crafts. Green bronze statue of Chinese Bronze sculpture by bronze material points, the Dali bronze sculpture, white marble carving, sliding bronze sculpture, smoky quartz bronze sculpture, the color of bronze sculpture, egg and bronze sculpture. Huian green bronze sculpture is famous for its architectural decoration and bronze lions mouth of bronze lion with bronze beads roll freely, known in Southeast Asia. Yunnan Dali bronze sculpture as raw materials to point Cangshan Dali bronze pattern like coloring landscape, or crisis peak off the sink, or waterfalls, with the cloud, inlaid furniture unique. Quyang Beijing Fangshan white marble sculpture of the Ming and Qing dynasties, mainly used for decoration of the palace buildings, such as the Chinese table, chinese bronze lions, railings, etc.;
Modern decorated for the public and monuments, such as the Great Hall of the People’s Heroes Monument, the Chairman Mao Memorial Hall. Haicheng, Liaoning, Shandong Laizhou sliding bronze sculpture to the cute little animals for traditional varieties. Hunan hole, Lichuan smoky quartz bronze sculpture, bronze quality dark and bright. Forged bronze are primarily for profit.  Color bronze sculpture Qingtian, Fuzhou Shoushan, Liuyang, Hunan origin. Eggs bronze dragon produced in Lanzhou, Shenyang and other places. Incised (carved contours) bronze sculpture techniques, shadow carving, relief sculpture in the round (not attached to a fully three-dimensional carving of any background), Openwork (also known as openwork). Shadow carving is the Huian green bronze sculpture of unique techniques, different sizes of steel.
Drilling in green bronze chisel chisel to the performance of the image of the landscape, birds and animals, figures, flowers, etc., by virtue of the size, depth and density of the drilling point. Bronze sculpture course of development. Began the history of the bronze sculpture from the origins of human art. It can be said so far of human all-encompassing art form in which a more ancient than the bronze sculpture, there is no the craftsmen of what an art form it is more the people loved, vancomycin is not bad. Now the basic conditions of forged bronze are as the following. The bronze sculpture of history can be traced back to the old mid-Bronze Age dating back twelve hundred thousand years ago. Since then, the bronze sculpture has been so far along the pass. This long history, the bronze sculpture of artistic creation continue to update progress. Different periods, bronze sculpture in the style of type and style have great changes; different needs, different aesthetic to catch up with demand, a different social environment and social systems, restricting the evolution of the bronze sculpture creation.

   The ancestors of the Chinese bronze Age, about 10,000 years ago or so will be firing pottery, but about in dating seventy-eight Millennium began to enter the painted pottery era. In contrast, the Chinese ancient human invention, the technology of polished bronze, old bronze late to get the quality of the bronze ornaments of the use of Upper Cave Man, pondering perforation made, this is a milestone in the history of Chinese ancient sculpture, because Only by grinding the invention of bronze material will become human conquering the quality of carving wood. The Peiligang, Yangshao period, the land of China glacial end, is very suitable for human survival and development of a warm climate period. The foundry of the inscriptions on the bronze of the Shang and Zhou is skilled.
 To settle in the farming people, their optimistic attitude to life, no problem weaving ode to peace. They produced a wide range of pottery, like the abstract, concise, general Seaman grain and all kinds of geometric patterns for decoration, and greatly expanded understanding of the formal beauty of the plastic arts also extended to various fields of sculpture. The inscriptions on the bronze sometimes are lengthy. Early Bronze Age bronze sculpture, bronze disc can Peiligang Mounted representative. It is a sandstone processing and the appearance of being designed into the geometry of the shoe sole-shaped, neat and generous, stable center of gravity, the processing is very difficult, you need to beat, cut, wondering dressing, involving the processing of the basic techniques for a variety of bronze sculpture. Compared with the same time a variety of polished bronze, it is more formal sense.
It is not only a faithful record of the primitive productive labor, but also reflects the higher aesthetic value. This embodied the dual nature of labor bronze statue tools, often used as burial objects placed in the side of the deceased, it is a religious appeal to promote the artists to create this rare bronze sculptures. There is also a whole article carved on the bronze in the Warring States. However, in the fist of the Bronze Age, pottery easy to shape, in terms of material readily available, so it has always been the mainstream of the sculpture. Until the iron before the invention of the bronze sculpture is still rare works of art, therefore, our attention had turned to chinese bronze engraved rock art. Bronze engraved rock art, and enduring in conditions suitable for the border area is still the main form of the original line artists.
Yinshan rock paintings have a lot of new bronze dragon Age works. Yinshan rock art and performance style, its impact is far-reaching and enormous. Consequently, the bronze with inscriptions are of great economic value. In fact, the rock paintings of the creation of China’s north and northwest of the ancient nomads, mostly chiseled bronze bi from its source should be traced back to the Yin rock paintings. In addition, the description of hunting and animals has always been the eternal theme. Characters the providers Zhou Dynasty in the picture, the realism of the Warring States bronze sculpture patterns, figures of the Qin Dynasty brick hunting map, are an extension of such techniques, but the latter become more precise, formal, and the rhythm of it. Thus, the shadow abstraction techniques and exaggerated, the most embodies the Chinese classical art does not re-shape, the pursuit of the Vivid expressive aesthetic ideal.